I’ve been meaning to write this for ages, it’s very overdue.

I have watched both Alien 3 and Alien: Resurrection. But I thought I would spare you the blow-by-blow. Possibly I’m too lazy to write them but I would like to think I’m making a good decision by not boring you with the screenplay.

In short I actually enjoyed them both more than I thought.Warning, this post contains spoilers.

Alien 3 – 1992

This film takes place on prison planet where a few religious prisoners remain after the prison was shut down. Ripley’s sleep capsule was ejected from her ship as a foreign life form was detected. Hicks and Newt die in the crash. Ripley survives. Turns out, so did a face-sucker. Before long the face-sucker has a victim, the prison’s pet dog and a new alien is born.

The prison and the whole environment is very industrial and gritty. Maybe an early version of steam-punk?

Slowly the Alien starts picking off the prisoners. Starting with the annoying warden.

Remember this is a prison and they have no weapons. They work together and end up drowning the Alien in molten lead. It’s got lots of great scenes of them running through tunnels and escaping the Alien and visually I found this film really entertaining.

The story is great. Society’s forgotten prisoners, becoming heroic in their efforts to save each other. Unfortunately it turns out the Ripley has a queen Alien in her chest and she dives into the molten lead to kill the queen and thereby killing herself.

Since the prisoners know they are pretty much going to die and Ripley does too once she realises she has an Alien in her, the film has a sense of impending doom which lends a different tone to the film. People are more desperate and courageous and take extreme measures.

But let’s talk about Ripley. She shaves her head which accentuates her features. There is a fantastic scene where she invites the Doc to bed. She flirts with him, in a slightly bashful way as she touches her shaved head. ‘Been out here a long time’ she says.

Pity the Doc gets munched.

At one point a group of the prisoners gang up on her and assault her. She fights tooth and nail but is outnumbered. One of the prisoner leaders saves her but as she gets up she throws a fantastic punch and knocks out one of the asshole attackers.

Once she finds out that she is carrying the queen she tried to end her life, not in a pity-party kind of way, but in a calm, let’s-get-this-over kind of way.

The end of the film has a man who looks like the Android Bishop come as a representative of the Company to convince her to let them operate and take the Alien out. Even though she has such hope in her eyes, she turns him down and jumps to her death.

I just love her character. She is not unwarrantably dramatic, she is competent, intelligent and not afraid to grab for the tasty moments of life when the opportunity arises.

She is understandably much harder in this film, but displays the same no-nonsense as she did in the first two. She weeps for the loss of Newt, but isn’t afraid to then have her body cut open to check for Alien infestation. She is uncompromising.

In short, in a post-armageddon world, I would want Ripley by my side.

Here is a link for a more intelligent review.



Aliens: Resurrection (1997)

To be honest I was kinda not looking forward to watching this one. I had found it weird the first time I watched it and I felt like we had lost Ripley in this film. (Of course, technically we lost her in the previous film.) But this time I really got into it.

The premise of the film is that we are even further in the future and Ripley has been cloned. The Company has figured out how to regrow her body and remove the Alien. As an afterthought they leave her alive, just to see what happens.

She grows, she learns. She’s…. different.

She looks the same but acts differently. She moves differently.

The Company grow their Queen who dutifully lays her eggs. Then they pay some ruffians to steal some people in deep sleep and let the face suckers infest them.

Turns out the ruffians are pretty entertaining. Equipped with some decent weaponry and a desire to survive the fight their way out. They also bring in some additional acting talent. Winona Ryder, Ron Perlman (Hellboy), Dominique Pinon (Amelie), Gary Dourdan (CSI Miami) and Michale Wincott (The Crow and Robin Hood).

One of them, called ‘Call’ (Winona Ryder) found out what the Company is up to and breaks into Ripley’s chamber. They face off. Ripley is unafraid, but Call leaves her alive.

Johner (Perlman) and Ripley play a little B-Ball but Ripley schools him. She is equally tall, stronger and spoiling for a fight.

By now the Alien have hatched and are busy escaping. One of the scientists Gediman (Played by the dude who is Grima Wormtongue in LOTR) is bizarrely fascinated by the Alien. He mimics them, but is also prone to dousing them with icy blasts when they misbehave. He get’s grabbed, but don’t worry, you get to see him again later.

Ripley teams up with the renegades. Call gives her a hard time, telling us all that Ripley’s not human. And she’s not. She’s part Alien. Her blood is acid, she can hear and feel things the other can’t and she has a connection to the beasts. They’re her family. But she wants out, so they work together.

This film has lots of spaceship corridors, like the previous films but also has these fantastic scenes where they are swimming for their lives through flooded areas and an Alien is chasing them.

It’s a great swimmer, who knew.

Slowly the renegades get picked off, but Call is one of the survivors, because as it turns out she is an Automaton. An android, created by androids. Ripley looks kinda smug when she realises that Call ain’t human either. They bond. Ripley has her mother-figure moment when she stands up for Call and offers to give her Johners tongue as a souvenir.

In their travels they meet one of the dudes who was infested with an Alien and they decided to try to help him. They try to work with one of the surviving scientist but he betrays them and goes off on his own.

Ripley starts acting all weird when she hears the Queen calling out in pain and falls into a tunnel. She is immersed in writhing Alien bodies and is lovingly transported off to where the Queen is labouring. (This is where it gets real weird). They arrive in a chamber where Gediman is cocooned into the wall.

He narrates, explaining to Ripley what’s happened. The Queen is busy birthing a live Alien instead of laying eggs. She gives birth to an especially horrific kind of beast. Part human, part Alien. The Queen makes cooing noise when the  new beast emerges but the beast smacks her face off. Literally.

Instead the beast decides it likes Ripley. They embrace and Ripley clearly feels kinship with the beast. It has human eyes and makes human-like noises, but it is vicious and rips off Gediman’s head. Mmmm… breakfast.

Ripley has to decide if she is more human or more alien and when she sees the beast destroy Gediman, she chooses humanity and escapes, running to join the renegades.

There’s only a couple of them left. The scientist shoots the man who is carrying the alien, but he ends up lurching across to him and holding him as the alien bursts from his chest, killing them both. It’s a spectacularly bloody and gross scene.

They leave but realise that the beast has hitched a ride, much like in ‘Aliens’. It picks off another soldier and Ripley has to intervene to save Call. The irony is not lost that she ends up destroying her ‘grandchild’ to save the inhuman Automaton who displays more humanity than the part-human beast. Ripley weeps as the best is pulled apart by the vacuum, the last part of it you see is it’s human-like face looking at Ripley with confusion and sadness.


Thoroughly enjoyed re-watching the four films. I definitely recommend them.


In the words of those brilliant and eloquent men of Monty Python…. And  now for something completely different

I decided to (re) watch the Alien quadrilogy. Partially because there is a new movie conceived as a prequel coming out this year called Prometheus (which means New Zealand might get to watch it legally before the end of the decade some time.)

Partially because Aliens was one of my favourite movies when I was a teen. It was so scary I had to watch it during the daytime on my old VCR, remember those? But after I watched it, I felt like I conquered the film. Like I had conquered my fear.

The man who created the art of the films, H. R. Giger, is Swiss. Another connection to me there.

They are classic movies and Ripley is arguably one of the first strong female protagonists.

So what the hey, I’ll sit down and watch them all. I’ve never seen Alien from start to finish, so it will be new to me. Then as Alien started and I started commenting to Steve on what I was seeing, I thought, well, this could be a fun blog. So here it is…. a running commentary on Alien.

*warning. This is one big spoiler.


(This movie would have been infinitely more scary if I didn’t know the main story line. I am a complete and utter jumper. Jump right out of my seat I do)

Alien (1979)

Starts out in gloomy space. Big empty sounds

People are woken after they receive a transmission. The computer is very old-school. Green text on a black screen. Sounds like a typewriter. I’m immediately amused that they are smoking inside their spaceship. They have a token black guy, but two women on crew. Ripley and Lambert (I think she was the crazy lady in Witches of Eastwick who threw up the cherry stones. Note to self to check IMDB later)

They go to check out the transmission after some arguing. Suspense builds…. They land on the planet and cause some damage to their ship, so they’re stranded for a while. More cigarette smoking while they analyse the poisonous atmosphere. (unintentional irony?)

The mechanics moan, Ripley tells them to fuck off. Wanna know more about Ripley? Ellen, to her friends. She is undoubtedly one of the best female characters ever, THE best female science fiction/horror movie character and ranked as the 8th greatest hero in cinema history. In short? She kicks ass.

They find an alien ship and three of them start exploring. The music changes slightly, includes a bit of a tune… Still super creepy. They enter the ship. (In a modern day movie, I’m sure they would have scanned it first or something, you know to check for life.) Ripley figures out that it probably wasn’t a transmission, more likely a warning. Ash tells her to ignore it. They find eggs, covered in mist. One guy touches the mist, he slips, he lands near an egg… it opens… he looks in and even though I know what’s coming I jump when it jumps out at him and sucks on to his face.

They bring him back to the ship but Ripley defies a direct order and doesn’t let them it. You know quarantine and stuff. (Have I mentioned how smart she is?) One of the other crew members (Ash) let’s them in. They try to remove the creature from the crew member but it cuts off the life systems of the man, oh and it bleeds acid. They decide to do nothing.

Ripley confronts Ash, calmly, about the fact that he let the facesucker on board. I am charmed by her confidence and the little flip-top rubbish bin on this high-tech ship. Later they realise the Facesucker has detached. No music, you can hear their steps and breath as they check out the room. Of course if falls out on to Ripley (Jump no.2) but it’s dead. Ripley wants to get rid of it. (Good instincts that one.) The Capt’n defaults to Ash (played by none other than a young Bilbo Baggins). Ripley again, calmly confronts the Capt’n. They leave the planet. (Seems the mechanics were pretty handy after all.)

Kane (guy who had facesucker) wakes up, he’s hungry, so of course they all sit down and eat. You can hear a heart-beat. He starts coughing. Writhing. Convulsing. Blood spurts from his chest and a wee shrimp of an Alien with razor teeth bursts from his chest, squeals at them and races from the room. (This scene from Spaceballs is the best spoof of this scene EVER) The crew is dumbfounded. They eject Kane’s body. Finally a sensible act.

They regroup and start a search for the little shrimp-Alien. Ripley and the mechanics track movement, they isolate it to a small cabinet and carefully set a trap. The pet cat jumps out. Jump No. 3. While trying to retrieve the cat, they split up. You can hear a heart beat. I realise that they don’t have any kind of portable coms. (In Farscape they just yell at each other from all over the ship). You hear a creaking sound while the dude inexplicably has a little shower in water dripping off the machinery (eww). I want to yell at the dude, why did you wander so far on your own!! You see a tail unfurl, the cat hisses, you get a great close-up of the famous double-jaws dripping saliva and he gets snatched.

They regroup and agree to create a fire to flush it out of the air ducts. Dallas the brave captain crawls down the ducts to flush it out. The other female (Lambert) uses a movement sensor akin to pong, tracking it. It get’s closer, she gets hysterical. Dallas get’s snatched. Jump No. 4. That was a good one. Rapid fire movements, he looks left, all clear, he looks right, all clear. He goes left. ALIEN JUMPS OUT!

They regroup. Ripley sticks to the plan and takes charge. She yells at Ash and access the computer. She discovers that the Company rerouted their ship to intercept the Alien. ‘Crew expendable’ says the computer. Ash attacks her. Turns out he is.. dun dun da… a cyborg! He short-circuits and has a rather hilarious fit squirting white milky fluid, tittering. They accidentally knock his head off. Then they hotwire him so they can talk to him. Then they put the flamethrower on him. They never liked him much anyway.

Ripley says they’ll blow up the ship. They get ready and of course, they decide they can’t leave the cat behind. Ripley goes after him, the Alien corners Lambert, Parker tries to help. More close up of the teeth. They both get munched.

Ripley sets the emergency-destruct system and get’s into the shuttle (with cat). That’s when she spots the Alien! In the shuttle! Dammit. Now what?? She runs back to the emergency-destruction system. As she does that it counts down to the last second you can over-ride it. She frantically tries to override, but is too late. 5 minutes left. She swears at the computer. Runs back to the shuttle, with her flame thrower this time. (I love this woman.)

Alien is nowhere to be seen. She launches. Big ship blows. She collapses in relief. ‘I got you, son-of-a-bitch’. She says and closes her eyes. She cuddles the cat and puts him in a sleep chamber. Ripley takes off her uniform getting ready to put herself to sleep and she is in her nickers when a large piece of chrome in unfurls (Jump No. 5) and she is inches away from the Alien. She retreats into a cupboard, grabs a spacesuit and puts it on.  The Alien yawns (gratuitous double-jaw shot). She belts herself into a seat and flushes it out of hiding with steam. Alien screams and approaches her…. She turns her back, hyperventilating. At the last possible moment, she opens the door. Alien gets sucked out! But grabs the door! She shoots it with a grappling gun! It flies out! But as the door closes, the gun get’s stuck! The Alien is tethered and she blasts it with the engines. Finally.. it’s gone for good.

I feel like applauding.

Stay tuned for more Alien movies commentary. )

Why I love Ellen Ripley – Part 2

Why I love Ellen Ripley -Part 3+4


Update: I’m adding this link because it’s chock full of interesting information about Sigourney Weaver and the Aliens film. She apparently only made about $300,000 from this film (after tax). She had to argue for pay increases for each subsequent film.

The reason why the 3 film has no films is because she demanded it be so. She is very anti-gun.

The only reason why the second film has so much weaponry in it is because she wasn’t confirmed as the lead until the film was underway.